September 29, 2011

What does the term "Chinese romanization" mean?

The term "romanization" refers to the rendering of Chinese words and names in the Latin (or 'Roman') alphabet. This technique of rendering non-alphabetical writing systems such as Chinese was created by Catholic missionaries (among others) beginning in the 16th century as they traveled throughout the world and were faced with the challenge of writing down the various languages they encountered in their work. For Chinese, this has taken various forms, but has boiled down to two main systems of romanization still in use today. 

The first system, established in the 19th century, is the so-called Wade-Giles system, named after two British scholars (Thomas Wade and Lionel Giles) who separately devised methods of writing Chinese words with the Latin alphabet. In this system, the word for "China" is rendered as 'Chung-kuo,' and the word for "The Way" is rendered as 'Tao.'

The second system, established by Chinese scholars in the early 20th century is the Pinyin system ('Pinyin' means "lined-up sounds"). This is the system which is now an ISO standard used on the internet and in most publications worldwide, and is now the preferred method of rendering Chinese words and names in the Latin alphabet. In Pinyin, the word for "China" is rendered as 'Zhongguo' and the word for "The Way" is rendered as 'Dao.'

Students of Chinese thought and culture must come to terms with at least one, preferably both, systems if they are to make sense out of the many new terms to be encountered in their reading. 

September 28, 2011

Three Pines Press

Another important resource for the interested student is the Three Pines Press website at http://threepinespress.com. This is what may be called "Livia Kohn's website" as she is one of the main editors and contributors of material on the site, including the Journal of Daoist Studies, which is available for purchase in print and electronic editions.


Daoist Studies Website

A useful website to explore is http://www.daoiststudies.org. As is the case with Golden Elixir Press's website, this site offers freely downloadable materials as well as article and book reviews by leading authors in the field of Taoist studies. This is a site well worth exploring.

A textbook for Taoist Studies

If a person wanted to purchase a single book which would serve as a kind of textbook for Taoist studies, I would recommend Livia Kohn's The Taoist Experience: An Anthology (Albany: State University of New York Press, 1993), paperback, 404 pages. 

The Amazon page for this book is here, and an extensive Google Books sampling of the text may be found here. Livia Kohn is one of the most prolific and reliable scholars writing on Taoism today, and provides a broad range of texts and comments which help the reader gain some understanding of the scope and variety of the content of the 2,500 year Taoist tradition. A brief listing of the chapters here will give some idea of the material covered in the book. Since this is an anthology, there are a number of important texts, and excerpts of texts provided.

Table of Contents

Introduction

Part One: The Tao

Chapter One. The Tao

Chapter Two. Creation

Chapter Three. The Teaching

Part Two: Long Life

Chapter Four. Discipline

Chapter Five. Physical Practices

Chapter Six. The Cosmic Body

Part Three: Eternal Vision

Chapter Seven. The One

Chapter Eight. Insight Practice

Chapter Nine. Ecstatic Excursions

Part Four: Immortality

Chapter Ten. Immortal Personality

Chapter Eleven. Ascension

Chapter Twelve. Immortal Life

List of Chinese Texts Translated

Bibliography

September 25, 2011

The Mystery of Empty Space: Higgs Bosons, Vacuum Energy and Extra Dimentions

Here is a very informative talk by University of California, San Diego physics professor Kim Griest on the make-up of the universe. The talk was given in 2001.
Prof. Griest's university web page may be found here


September 24, 2011

Sample Entry from The Encyclopedia of Taoism - Daode jing

Daode jing

Scripture of the Dao and Its Virtue

The Daode jing, also known as Laozi, is ascribed to Laozi, who allegedly gave it to *Yin Xi as he left the Middle Kingdom to go to the west. Scholars have long debated its authorship and date. Some think that it is not the work of a single author, some maintain that most of it originated as oral tradition during the Warring States period (403-221), and some suggest that it reached its final form in the late third or the early second century BCE. The *Guodian manuscripts, datable to between 350 and 300 BCE, seem to prove that the Daode jing existed at that time in a form very close to the received version.

Editions and manuscripts. The Daode jing is a short work, sometimes called the "Text in Five Thousand Words" (Wuqian zi wen). Most printed editions derive from one of four main versions: the *Yan Zun version, the Heshang gong version (see *Laozi Heshang gong zhangju), the *Wang Bi version, and the so-called "ancient version" (guben) recovered from a tomb dated to 202 BCE. The latter exists in turn in two distinct but closely related redactions: one edited by *Fu Yi (554-639) and another edited by Fan Yingyuan in the Song period. Two *Dunhuang manuscripts are also worthy of note: the Suo Dan manuscript, dated 270 CE, which seems to belong to Heshang gong's tradition (Boltz W. G. 1996), and the *Xiang'er commentary, which lacks the second half and is not divided into sections. None of these versions yield notable differences from the point of view of meaning.

The text is usually divided into two main parts, called Daojing (Scripture of the Dao) and Dejing (Scripture of Virtue), and into eighty-one sections or chapters (zhang). The two *Mawangdui manuscripts, dated to the second century BCE, reverse the sequence of the two parts, placing the Dejing first. The division of the text into eighty-one sections first appears in Heshang gong's version but was not universally accepted until perhaps the Tang period. While some versions are divided into sixty-four, sixty-six, or seventy-two sections, others do not have sections at all. The Guodian slips, in particular, have no division into sections, and while the wording is close to that of the received version, the sequence of the individual passages is often different.

Description. The Daode jing combines sentences, often rhymed, expressing general laws dogmatically asserted with aphorisms that may contain traces of oral sayings, and with instructions on self-cultivation and practical or sociopolitical life. The text is often paradoxical, lyrical, and poetical, containing plays on words, contradictions, ambiguous statements, and enigmatic images. Whether the text proposes an art of ruling or ways of self-cultivation or both, imbued or not with mystical and gnostic views, is an open question that scholars often debate on hypothetical grounds. The following description outlines some of the main features on which scholars generally agree, and that were retained in later Taoism.

The Dao. The main contribution of the Daode jing to Taoism and Chinese thought lies in the new meaning given to the word dao. Usually and broadly understood as "way," "method," or "rule of life," dao takes on for the first time in the Daode jing the meaning of Ultimate Truth, one and transcendent, invisible (yi), inaudible (xi), and imperceptible (wei; sec. 14), not usable and not namable (sec. 1). Since the Dao is beyond all relationship of differentiation and judgement, it cannot be "daoed," or "said" (dao), or practiced as a way. One cannot make use of it, as it is "neither this nor that." However, in spite of this apophatic or negative approach, the Dao, through its Virtue (*de), is said to be the source of all life, the "mother," "pervading" (tong), "rich in promises" and the only certain reference point (sec. 25); in this sense, it is "both this and that." All that can be said (dao) and has a name is transient and pertains to the world; only the Dao that has no name is permanent. "Naming" and language, however, are said to be the "mother" of all things.

This dimension of the Dao was retained, with varying emphases, by all schools of Taoism. The Dao is the source of the world, the point to which everything flows, the "treasure of the world" (sec. 62), that by which Heaven and Earth can exist. It has an evanescent and mysterious hypostatized presence that one would like to grasp or see (sec. 14 and 21), and seems to allude to an inner experience resulting from meditation practices aiming at quiescence (see *qingjing), and from a multidimensional view of the world. This gives the Daode jing a poetic and lyrical tone, and endows its teaching with a character different from that of other texts of its time.

Ambivalence and totality. The Daode jing repeatedly names pairs of opposites such as good and evil, high and low, Being and Non-being, naming and not naming, because they all imply and support each other, and pertain to a common whole. As does the *Yijing, it points both to the binary structure of our thinking and to the unity from which oppositions proceed, their relativity and their correlation. The consequences drawn from this view, however, are different from those of the Yijing. Whereas the Yijing holds that one can know and prevent coming negative events by understanding the laws of the cosmos, the Daode jing strives to show that thought is by nature dualistic and cannot grasp the Dao, which lies before and beyond any differentiation. The Daode jing not only aims to clarify the inadequacy of language to know the reality of things; in saying that every assumption implies its own negation, it also seeks to unite the two as the reverse and obverse of a coin, or to invert the common order of things so that one can grasp the foundation of all assumptions: for example, to ascend means to begin from the bottom (sec. 39). In doing so, the text sets up a logic of ambivalence that is typical of Taoist thought. Priority is not given to assumption or negation, but to the infinite totality of the Dao where every dualism "has a common origin" (sec. 1).

The Dao encompasses all possibilities because it has no form and no name. Its Virtue is its operation that accomplishes everything in the world. Cosmogonic metaphors connected with mythological themes (Chaos, Mother) call for a Return (*fan) to its primordial undifferentiation, and the infant is taken as a model because it has not yet separated from its Mother. In accord with the logic of ambivalence, however, return to the Origin is not separated from return to the ordinary world, as shown by the simple fact that the Daode jing was written for the benefit of human beings.

The void. The Daode jing's notion of the void (see *wu and you) is the first enunciation of an idea that would later evolve and take a major place in Taoism and Chinese thought. In the Daode jing, the void has two levels of functional and existential meaning. Concretely, it is the interstice that allows movement, the receptive hollow in a vessel (sec. 11). As such it also has a cosmic significance: it is the necessary void space that is both the matrix of the world and the place from which the Original Pneuma (*yuanqi) can spring forth and circulate. On the human level, the void is mental and affective emptiness, the absence of prejudices and partialities dictated by the desire or will to attain a goal.

The saint and the sage ruler. The vision of the world introduced in the Daode jing is the ideal of the Taoist sage who does not choose between one thing and its opposite, but remains neutral. The saint (*shengren) is serene, withdraws from the affairs of the world, and rejects the established values (the ordinary dao or ways) as artificial, in favor of a spontaneous way of life with no virtuous effort toward improvement, and no competition that might introduce disturbances. He lets the Dao and Nature freely operate in him, claiming that if one does so both the world and oneself will go along very well on their own. "Cease all learning," says the sage, the learning that in Confucian terms means striving for something better: one can reach the Truth only by letting it operate naturally (*ziran).

The image of the sage ruler in the Daode jing is combined with a "primitivist" tendency that is not unique to this text but can be found in other trends of Chinese thought, including later Taoism. In the Great Antiquity (shanggu, the ideal state of humanity projected into the past), the sage ruler does not interfere and is not even known to the people. Like the Dao, he has no name; like the saint, he lets the laws of nature operate spontaneously so that order is established harmoniously among human beings.

Variety of interpretations. The Daode jing is open to many interpretations and in fact demands them. The various readings of the commentators have been sometimes classified into schools. For instance, Heshang gong reads the text on two levels, one concerned with self-cultivation and the other with ruling the state; the Xiang'er commentary is an example of its use as a catechism for the Celestial Masters (*Tianshi dao); and the *Chongxuan (Twofold Mystery) school of thought gives it a Buddhistic and dialectical interpretation. Legalist, Buddhist, Confucian, and Taoist physiological or alchemical interpretations have also been advanced. The Daode jing moreover has been used as a sacred text that, like all sacred writings, must be recited in conjunction with meditation and ritual practices for exorcist and healing purposes.

Isabelle ROBINET


Source: Isabelle Robinet, "Daode jing." In Fabrizio Pregadio, ed., The Encyclopedia of Taoism (London: Routledge, 2008), vol. 1, pp. 321-25. Chinese characters and the final bibliographic references to secondary studies are omitted in the present online version. Asterisks (*) indicate cross-references to other entries in the book.

The Routledge Encyclopedia of Taoism

An important resource for the study of Taoism has just been made available in a relatively affordable paperback edition. It is the Routeledge Encyclopedia of Taoism, and comes in 2-volumes, totaling 1608 pages. The original hardcover edition of this text was published in 2008 and currently lists for US $ 315.00, so the appearance of the paperback edition (listing for a still substantial US $ 99.00) brings this reference within reach of the serious student of Taoist studies.




This work, edited by Fabrizio Pregadio, stands as the definitive resource for Taoist studies, and includes important terms, texts, biographies, bibliographies, etc. A link to the hardcover edition at Amazon.com offers a "Click to Look Inside" feature which gives the reader a feel for what is in the text; and the Golden Elixir website provides a page for the book, which includes sample entries, the full Introduction and a list of contributing scholars.

[Zhou yi] Cantong qi

Golden Elixir Press will soon publish Fabrizio Pregadio's study and translation of the important internal alchemy text, Cantong qi (Seal of the Unity of the Three). Check the Golden Elixir page here to get an idea of what this text is and see some samples from the translation. Dr. Pregadio also provides a freely downloadable .pdf file of a gallery of many of the Chinese editions of this work beginning from the 700's.


September 23, 2011

Golden Elixir Press

An important website for Taoist Alchemy is the recently established Golden Elixir Press site at www.goldenelixir.com. There are a number of free, downloadable resources including texts, bibliographies and the press's catalogue. Of particular interest is Fabrizio Pregadio's study and translation of Zhang Boduan's Awakening to Reality, which may be linked to directly here.

The Development of Alchemical Taoism (200 - 1200 CE)

I am including here a .pdf file of Chapter 5 of 
Eva Wong's The Shambhala Guide to Taoism (Boston: Shambhala, 1997), pp. 66-80.
(Right click to open in a separate window, then view and/or download.)

This chapter offers a nice overview of the period during which Taoist alchemical practices developed and were recorded in various texts with which the student of these practices should become familiar. I offer the chapter subheadings here, as well as a list of some of the proper names of people and texts mentioned in the chapter. The final section of the chapter provides notes under "Further Readings."


The Beginnings of Alchemy


The Age of
Wei Po-yang and Ko Hung (Eastern Han, Wei, and Chin Dynasties 200-589 CE)


The Teachings of the Ts'an-t'ung-ch'i (The Triplex Unity)

The Teachings of Ko Hung's Pao-p'u-tzu
(The Sage Who Embraces Simplicity)

The Separation of Internal and External Alchemy
(T'ang Dynasty, 618-960 CE)

The Height of Development of Internal Alchemy:
The Age of Chang Po-tuan (Northern and Southern 
Sung Dynasties 960-1279 CE)

Further Readings


NOTE: There are a number of incorrect romanizations of names and text titles in Wong's work, so I have corrected them here and in the accompanying list below. 

Yi jing Translations - Richard John Lynn



There are, of course, many translations of the Yi jing, but I shall begin here with that of Richard John Lynn, published in 1994.

   


Richard John Lynn


The Classic of Changes: A New Translation of the "I Ching" as Interpreted by Wang Bi


New York, Columbia University Press, 1994

614 pages

Click here for Amazon.com link with preview.

The translation gives Chinese transliteration in Pinyin romanization (see the "Chinese Language" page on this site for more on Pinyin and Chinese romanization). 

This translation was made by Richard John Lynn, Professor Emeritus of Chinese Thought and Literature, University of Toronto. A sinologist with a strong background in the field of Chinese thought, Lynn's translation of the Yi jing offers the text with the third century commentary of the young Chinese genius, Wang Bi (226-249). The inclusion of Wang Bi's commentary offers a view which is markedly different from that of the famous Wilhelm/Baynes translation (on which see below) which is base on a Song dynasty (960-1279) edition of the text. Rather than go into any in-depth analysis here (something beyond my ability anyway) I provide a couple of links which review the work and allow the reader to explore further on his or her own. 

The first link is to the Internet Encyclopedia of Philosophy article on Wang Bi, arguably the most important Taoist commentator in early imperial China. This article provides an overview of Wang Bi's life and work, and offers countless links to other information on all manner of Chinese philosophy. It is a vital resource for those wanting solid information on Chinese thought and thinkers throughout history. 

The second link is to a site which offers a wide range of information on Yi jing studies (including a handy Chinese text of the Yi jing) and offers a review of the Lynn translation (plus many, many others). The site, called "Yijing Dao," has a review here, and presents a simple interface with five tabs at the top of the page giving links to various aspects of the text.





Stephen Karcher, "The World of Change," Part Two

Excerpt from: 
Stephen Karcher, How to Use the I Ching, A Guide to Working with the Oracle of Change (Boston: Element Books, 1997).
Part Two, pp. 10-12. [Part One is here]


THE NAME OF THE BOOK

The most important ‘spirit,’ however, is contained in the name of the book itself: I (pronounced ‘ee’). The book really has three names. I Ching, the most familiar in the West, means ‘Classic of I.’ This comes from the time when five ‘classic’ books were established in China, around 200 BCE. The older name is Chou I, or ‘The I Book of the Kings of Chou,’ who were the first to assemble and use it around 1100 BCE. Quite frequently it is simply called ‘The I.’
            This word is usually translated as ‘change’ or ‘changes’, but it is really more precise than that. The I Ching contains models of orderly change, such as the change of the seasons, the movement of the planets or the stages of life, and models of transformations like water becoming ice, or a caterpillar becoming a butterfly. What is called ‘I’ really occurs outside these models of predictable change.
            The first meaning of I is ‘trouble.’ It indicates sudden storms, loss, times when what is thought to be stable suddenly becomes fluid or vanishes. Structures break down; something extraordinary occurs.
            The second meaning of I is the response to this kind of trouble: versatility, imaginative mobility, openness, something easy and light, not difficult and heavy. It suggests a fluid personal identity and a variety of imaginative stances. Through I you can change and move as fluidly and unpredictably as the creative force it describes. The I and its symbols describe the movements of the spirits that are the ‘seeds of events’ in the world. The spirits and their symbols connect the I of the universe to your own I, your creative imagination, if you choose to use them.

THE HISTORICAL DEVELOPMENT OF THE BOOK

The Chou I
The creation of the Chou I, the original name of the book, was associated with the rise of the Chou Kings and the fall of the previous Shang Dynasty. This is characterized in the book itself as a ‘difficult time,’ full of sorrows. The eventual victory of the Chou nobles was thought to have restored the Golden Age to China. One of the most important tools in their struggle was their ‘Book of I.’
            By about 500 bce the Chou kingdoms had fallen apart. It was during this time of civil unrest, the Warring States period, that the individual use of the oracle began. The book’s purpose was transformed. It helped individuals find their way through the chaos of a crumbling social order.

The Classic of I
During the Han Dynasty (206 bce - 220 ce), what was called the Chou I or ‘Changes of Chou’ became the I Ching or ‘Classic of Change.’ The Han was the first great Imperial state in China, and it gathered and standardized many things. The written language was codified and clarified and five canonical texts or ‘Classics’ were established. The first was the ‘Classic of I’, the I Ching. Imperial scholars edited the text and put it into the new form of writing. They also collected and wrote down the various oral ‘traditions’ or teachings about how the oracle was used. These became the ‘Ten Wings’ that were attached to the central text. One of them in particular, the Hsi tzu chuan or Ta chuan, the ‘Commentary on the Attached Words’ or ‘Great Commentary,’ became one of the most important documents in Chinese culture. It explained how the world worked and how, through divination, we could find our proper place in it.

Confucianism
This version of the I Ching lasted well into the twentieth century. It was used and interpreted in many different ways, from popular to academic. A very influential system of interpretation grew up among the scholar-bureaucrats who served the government, a system called Confucianism or Neo-Confucianism. This moral and philosophical system was based on a particular interpretation of the tao. Neo-Confucians said that tao was a set of hierarchical cosmic and social relations: just as heaven is above, and earth below, so man is above, woman below; the husband above, the wife below; the elder above, the younger below; the ruler above, the subject below; the yang power above, and the yin power below. These ideas of above and below were a judgment of value and intrinsic worth, a strict moral and social hierarchy. Internalizing this hierarchy was the Confucian idea of ‘being in tao’. They developed an elaborate interpretation of the words and figures of the I Ching to support this hierarchical morality.

The Change Today
This century has brought a historic revision of the I Ching, taking the Neo-Confucian interpretation apart. Independent sources of the earliest types of written Chinese were discovered, and much light has been thrown upon divination practices and the meanings of words and phrases outside of their Confucian definitions. The identity of the book itself is once again changing. We can now recover its old oracular power and, at the same time, find a new place for it in the imagination of our time.


END OF PART TWO


Stephen Karcher, "The World of Change," Part One

Excerpt from: 
Stephen Karcher, How to Use the I Ching, A Guide to Working with the Oracle of Change (Boston: Element Books, 1997). 
Part One, pp. 3-10.

The World of Change

Change is the very essence of living. Our lives change, our dreams change, the seasons change, our world changes. Some changes are predictable, some unpredictable. Some are sought after, some avoided. Some bring joy, others bring grief and sorrow. The I Ching is an attempt to understand and work with change. But it does not describe change; it participates in change. It shows the way change occurs because it is part of the process it models. By using it, you participate in change rather than being its unconscious victim.

THE ORIGINS OF THE I CHING

A Book and an Oracle
The I Ching is first of all a book. It was treasured as a key to the mystery of transformation. It was elaborated and interpreted over 3,000 years of Chinese history.
            The book consists of 64 Chapters or Figures that are a combination of linear diagrams and short, vivid, mysterious sayings. We might call them the 64 Shapes of Change. But, unlike other books, you do not simply read the I Ching. You ask it questions and it gives you answers. For the I Ching is more than a book: it is an oracle. It ‘speaks’ to your situation. It gives you a mirror of the hidden forces at work in the changes you are confronting.

Bamboo Shamans
Most of the words used in the I Ching grew out of an oral tradition of songs, chants, sayings, omens and symbolic events used by the shamans and diviners of ancient China. The written words first appear carved on ‘oracle bones,’ prepared tortoise shells and ox shoulder bones used in divination by fire. They were later collected into ‘Books of I’, written on thin slats of bamboo. The use of these texts was carefully guarded and the diviners who used them were called ‘bamboo shamans.’ This sort of oracular consultation reflects a particular approach to the experience of the spirit.

CONNECTING TO THE SPIRIT WORLD THROUGH ORACLES AND DIVINATION

Oracles and divination are not sorcery. They are an inner process that can show what is at work in your unconscious. The ancient world called this unconscious world of the spirits. It is like the ocean of images you sometimes see in your dreams, where you are ‘unconsciously’ connected to other people and things.
            Oracles and divination can show us this hidden side of our lives. They can mirror the spiritual and psychological forces that are at work behind the scenes of our lives. But oracles are about questions, so rather than describing what they do, let us ask a simple question and imagine the sort of answer we might get. The question is: ‘What time is it?’

A Special Kind of Time
In normal life we look at the clock for an answer to this question. According to the dictionary, the clock shows us a particular kind of time, a ‘non-spatial continuum in which events occur and a system by which such intervals are measured.’ The units of this time are identical and interchangeable. One minute, hour or day is like any other. So we get an answer like 12:35, 17 July 1997. If two different people ask the question at the same time, they will get the same answer.
            However, when we turn to an oracle, we learn about a different kind of time. The answer to our question might be something like this: the time of your life, the right time, the moment of truth, time out, behind the times, making time, bedtime, doing time, keeping time, in time, out of time. All these expressions give an individual quality to time that depends upon the person asking the question. If two people ask this question at the same time, they will get quite different answers.
            Now, we all experience both these kinds of time, but we see them as incommensurate. One goes on inside us, the other goes on outside us. Historians of science have called this split in time the ‘disenchantment of the world.’ It marks the point where myth, imagination and spirit were split off from what we now call ‘scientific reality.’

Putting Time Back Together
The old world, however, the world before its ‘disenchantment,’ told time differently. It ‘told’ you into a story of the time by connecting your experience with images and symbols. These images represent forces in the unconscious that connect the inner and the outer worlds.
            This interconnection comes through imagining. It characterizes what we usually call ‘superstition’ or ‘pre-scientific thinking.’ For, in our normal world of cause and effect, the connection disappears. So the answer to our question is really another question: not ‘What time is it,’ but ‘Which time is it? What is the dynamic quality of the time? How does this particular kind of time change things for me’? These are the sorts of question oracles can answer.

THE SPIRIT OF THE TIME

The I Ching is the oldest divinatory oracle to survive the ‘disenchantment of the world.’ Each of the book’s 64 Figures acts as a mirror for the unconscious forces shaping a given problem or situation. They are an invitation to a dialogue with the ‘spirit of the time’ and begin a creative process that adjusts the balance between you, the questioner, and the energies or forces behind your situation. It can warn you, encourage you, describe possible outcomes or reveal hidden dangers.
            In traditional terms, the I Ching ‘provides symbols’ which ‘comprehend the light of the gods.’ It produces an echo that ‘reaches the depths, grasps the seeds and penetrates the wills of all beings under heaven’. It can discern the seeds of future developments and move the dark psychological places where we are caught or ‘hung up.’

The Way of Change
The I Ching does this because it is more than a book and an oracle. It is a ‘way,’ a tool we can use on our spiritual journey through life. It continually opens a path that we can follow. Through its symbols and the connection with the spirit they provide, it enables its users to ‘follow the order of their own nature and of fate.’ It opens a dialogue with a deep inner voice that seeks to keep us connected to the living world, the ‘on-going process of the real.’

WORDS THAT HELP YOU FIND THE PATH

Tao or way
The I Ching uses certain key words to indicate this path and how it works. The first is tao or ‘way.’ Tao permeates, supports, moves and changes everything in our world, seen and unseen. The word itself means ‘way’ or ‘path,’ and is made up of the graphs (symbolic drawings) for ‘head’ or ‘first’ and ‘walk’ – the first motion in the universe. It is the ‘on-going process of the real,’ a great and mysterious flow of energy that animates, moves and shapes the world. It offers a way or path to each thing in this world, and gives it its potential identity.
            To be ‘in’ tao is to experience meaning. It brings joy, connection, freedom, compassion, creativity and love. The two basic divinatory signs used in the I Ching reflect this distinction. One term indicates that the way is open, that an action or direction accords with tao and thus releases good fortune and transformative energy. The other term indicates that the way is closed, that an action or direction is not in accord with tao and will cut you off from the spirit and leave you open to danger.

The Two Fundamental Powers
The tao or way articulates as two basic qualities. These two qualities reflect dark and light, moon and sun, water and fire, soft and hard, dissolution and creation, love and hate, dream and waking, death and life, female and male. The people who made the I Ching ‘saw’ each thing as a particular mixture of these qualities and could thus predict the way they would move and develop. The oldest words for these qualities are the terms great and small or strong and. They later became known as yin and yang.
            These words describe ways to orient your will. They indicate the most basic thing you can do to be in accord with the spirit of the time.

YANG POWER OR BEING GREAT
Certain times and situations call upon you to be Great and strong, to collect your strength, have an idea, impose your will and act. The Great person is someone who has done this consistently and has thus acquired power and influence. This orientation represents the influence of the Great in someone’s life.

YIN POWER OR BEING SMALL
Other times and situations demand that you be Small and supple, that you let go of your importance and adapt to whatever crosses your path. Small people can adjust to whatever happens in a flexible and spontaneous way because they are not impeded by a sense of self-importance. This represents the influence of the Small in someone’s life.

ACCUMULATING TE OR POWER AND VIRTUE
By voluntarily adjusting your will to the time, and seeing the spirit value in the events of life, you accumulate a special power and virtue called Te, which comes from following the way. This power and virtue, which can directly influence others, enables you to become who you are intrinsically meant to be: a true individual or accomplished person.

THE REALIZING PERSON
Someone who follows the tao or way and uses the Change to accumulate power and virtue is called a realizing person, a ‘child of the leader’ or most important thing. This person is on the way to becoming realized or accomplished through contact with the spirit of change. She or he uses the oracle to help in this endeavor.

HEAVEN AND EARTH

The I Ching portrays a dynamic yet timeless world. This world grew out of the landscape of northern China: plains, rivers, valleys, the wide earth stretching to a mountainous horizon, the arching sky full of tumbling clouds and sudden storms. There are farms, fields and simple huts, villages, fortified cities surrounded by circles of dwellings, magnificent royal palaces and tombs, all separated by forest, mountains and wide tumultuous rivers. The wilderness between things is full of unexpected encounters and mystic retreats. Wandering groups of nomads and herdsmen roam the borders.
            This is a place where a wide variety of people live and work. We can see peasants, nomads, merchants, nobles, kings, husbands and wives, courtesans, slaves, children, wanderers and soldiers as they eat and drink, love and hate, work, hope and scheme, make war and peace, despair or find enlightenment, face disaster or are full of joy.
            This beautiful and constantly changing world was called Heaven and Earth. It was sometimes seen as a great turtle, swimming through the fertile seas of chaos that surround us. Heaven and Earth was filled with the Myriad Beings, the 10,000 things, all going their individual ways, each linked to Heaven and Earth which nourishes and sustains them.

The Souls and Spirits
Heaven and Earth is full of other beings, too, the Souls and spirits. These are gods, demons, angry ghosts, ancestors and nature spirits, many of whom can enlighten, guide and give power to human intelligence. The landscape is dotted with points of close encounter with these beings: field altars, shrines, towers, grave mounds and temples of all kinds.

Living in tao
These spirits are messengers - they announce how Heaven and Earth is moving and participate in its power. Any action, even just living and enjoying your life, only has a real chance of success if it connects with the spirits. What we now call meaning, or a meaningful experience, is just such a connection. The people who lived in Heaven and Earth would have called it being or living in tao.

Making the Symbols
According to tradition, the Ancient Sages, the diviners and shamans, made symbols of all these mysteries. The Sages symbolized the world for all people through a kind of shamanic clear-seeing or deep imaginative induction. So everything in it became a connection to the potent world of the spirit. These symbols became the writing of the I Ching.

THE WORLD OF SYMBOLS AND THE FLOW OF TIME

Personal Time and Unconscious Time
These symbols are a manifestation of the power and virtue that pervades the spirit world. They are connected with a particular kind of time. We usually think of time as flowing from the past into the future. We were born, we are living, we will die. This is personal time. The world of symbols is connected with a different stream of time. It flows from the future through the present into the past. The I Ching describes this in the words ‘coming’ and ‘going.’ Symbols (and the events they describe) come from the future, casting their shadows in front of them. Then they go away from you and flow into the past.

‘Seeing’ What is Coming
The symbols that move on this stream are ‘seeds of time’ that represent the future. The I Ching can give us access to this flow of symbolic or ‘unconscious’ time. By ‘turning around,’ so to speak, and seeing symbolically, we can see the probable form things will take. Since our troubles very often come from clinging to what is present, this helps us to let go and open a space for what will soon enter our lives.

The Shapes of Time
The many ancient sages and diviners who made the I Ching, ‘symbolized’ anything they saw that had spirit power, that reflected the seeds of time. This means that the actions and objects of the I Ching are not merely historical artifacts, but shapes of time. This world of symbols offers us a unique and comprehensive model of the human imagination and the forces that move it. Because these symbols tell us about the shape of our deep imagination, they describe the flow of time now as effectively as they did 3,000 years ago.

INVISIBLE BEINGS AND SPIRIT

The I Ching takes for granted that humans live in a world that is alive. It is a ‘magical’ world in which we participate through words and images. This world has a purpose that directly affects us. We share this world with many kinds of invisible beings; they are part of us, in that they affect our feelings and behavior, but they come and go as they please. We cannot control them. The I Ching has a special set of ideas to deal with these spirits.
It describes the actions of the various parts of our unconscious that influence us but of which we are not normally aware.

Spirits and Symbols
The first idea is that everything has a voice and can be a symbol that shows where the spirit world and the normal world intersect. We see this happening every night in our dreams. If you remember your dreams, then watch what happens the following day, you will see this symbolizing at work quite clearly. 

Spirits and Energy
The second idea is that the spirit world is a kind of energy, a powerful energy that helps shape the world we experience. This energy shows itself in many ways, which are reflected in the many kinds of imaginary beings. But the primary thing is the connection. One of the most significant divinatory signs in the I Ching is: there is a connection to the spirits. This means that spirit or energy is flowing into you. You can count on deep sources of power and guidance within you to help you through. This is a sign of truth, sincerity and trust; humanity’s higher powers.

Shen or Helping Spirits
The shen are ‘high’ spirits that can aid humans. They are a kind of bright spirit or deep intuitive clarity that characterizes a ‘realized’ human being. Sages may be said to have a shen or helping spirit. The old shamans spoke of ‘cleaning the house of the soul’ so the shen would come to live there. Later, philosophers saw them as embodying moral and intellectual power and integrity. They confer power and depth on the heart and mind. Someone who develops one of these ‘bright spirits’ can see the causes and the courses of things and knows what to do about them. The I Ching was particularly used to follow or duplicate this old shamanic path. It helps you contact the spirit and, over time, to find this spirit-voice within yourself. It gives your guardian angel, deep self or guiding spirit an actual voice in your life.

Adversity: the Angry Ghost
Another kind of spirit often encountered is described through the word adversity. In this world, part of each human remains with the earth and the tomb after death. When this soul is angered through neglect, when it has committed a great crime or suffered a great injury, it returns to inflict suffering on the living. This suffering is often a plague, an epidemic or a highly contagious kind of psychological disorder. This closely parallels the way we repress memories, feelings and experiences and have them return to haunt us. These memories can pass from person to person, and from generation to generation. This adversity, present danger with its roots in the past, is symbolized as an angry ghost. The danger, be it anger, injustice or hidden corruption, must be confronted, exorcized or pacified.

Ancestors
One further aspect of this spirit world is the ancestors. Even today, each Chinese house has its ancestor tablets and shrine. Each village had an ancestral hall. The land was once dotted with hilltop shrines and grave mounds. The image of the ancestors offered an immediate connection to the spirit world. You went to the grave mound or shrine not just to offer sacrifice, but to ponder and ask guidance. The image of the ancestors opened the door to the power and wisdom of the unconscious world. 

END OF PART ONE